Though they do not play well in the same studio space working with glass (for me) can be a lot like working with fabric. At the end of different projects you inevitably end up with bits of material left over. Glass is such a more expensive medium to work in that it behoves one to think like a quilter and find projects that use all the leftovers. I find myself creating an artistic voice by simple vowing not to waste valuable supplies. Almost every piece of glass needs to have a life past it’s originally purchased purpose.
Also relevant is the idea of a stash. All quilters have a stash of fabric to select from when creating quilted works. One of the great joys of this art form is hunting down the perfect fabric for an idea or just collecting fabric that you love. With glass the stash building is slower and more methodical especially since the stuff costs so dang much. Costs vary by color and production method just like with paint and fiber. One constant in the stash building is the event of “Sale” and any time you can get more for your dollar is a reason to make an unforeseen purchase.
So I am finding that just because I am working in an unrelated medium relationships in my creative heart and mind that are constant. Even in glass I am piecing materials together, using appliqué where it is most effective (enamel paint in the case of glass) and enjoying the process of collecting raw materials. All artistic journeys seem to be preparation for the next creative jaunt!
Left over pieces glass from previous projects.
Fused glass Cameo plate utilizing new and leftover glass.